brian m. latimer


This photo by Rebecca Werkmeister.
contact brian: latimer.brian@gmail.com

mp3 blog.
symptoms.

Brian M. Latimer. 22. fiction. poetry. Some titles stolen from music. Some photos taken by Rebecca Werkmeister.

All content subject to change without prior notice. All writing © Brian M. Latimer, 2010 unless otherwise attributed.

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Pretend to miss me when I'm gone

Text

1.
The window is open to let October into the Sahara. Record one more invasion. For the last time, though neither of us know it then, she’s breathing slowly on top of me and I am staring at the ceiling. The room is too hot and our bodies are too hot, and then the room is cool so we toss most of the blankets on the floor and sleep as conjoined twins might be accustomed under a single sheet. For two weeks after that night I don’t wash my bedding; I have convinced myself it still smells like her.

2.
Directions are fed into my ear as the sky turns dark. The four of us are a unit. Devotees. Mission complete and arrive with the music in the house too loud and the lights too dim. The wine is out of the car into the kitchen and I get my first bottle in me. Everything feels perfect by bottle two. There is a girl there whose name I don’t remember. I spend the night talking and eventually drinking with her. Upstairs and closed curtains, she tells me I’m the first boy who’s ever kissed her. I tell her she’s the first girl I’ve ever kissed properly and she giggles and teases me, asking who uses words like properly? I take another drink and proceed to get sick. She steps back and my head cracks on the floor. I feel someone take the last of two full bottles from next to me while I’m doubled over. Footsteps rattle the floorboards under my head as they lead out of the room. The door closes.

3.
Across the country the sun is setting. The bars are filling, highways are clogged arteries and closed tracheii. It’s ritual asphyxiation, and it’s how she wants to stay young. Living that past. Moonlight mingles with her cigarette smoke while she explains. Job opportunities. New cities. The expectations of displaced rural youth. You can hear her permanence when she says I’m not coming back.

4.
The end of that night yields a brilliantly sunny morning. Softly falling, the snow refuses to stick. I watch the scene through the window while another body sleeps next to me. At 10 AM I get a call telling me that my sister is in the hospital. My father’s voice is hoarse on the other end of the phone while he tells me the doctor has given her something called Naltrexone. I tell him I don’t know what that is, and he starts crying. I let him know I’ll be at the hospital as soon as I can. Over the course of the next fifteen minutes clothes that are not mine are tossed wildly from the floor into the air - where they dive, parabolic, back onto the floor - as part of a somewhat frantic effort to find my pants. Before he hangs up my father says something about prison. The phone beeps in my ear and while I reach to put it on the nightstand it goes off again. The display is beaming at me, the cheap plastic is rattling and vibrating against itself in my hand. It’s screen and speakers trumpet an alarm: It’s her birthday. She is eighteen. Happy birthday.

5.
There’s no maximum occupancy, no decibel limits, no age restrictions. All the rules are unwritten. You want to scream, bleed. A room full of people wishing the same selfish thought and no one’s going to tell them they’re in the wrong. No one’s going to say Stop being that way, or When did you say word one to them last? A room full of hate gets dulled by proximity, because no matter how rational you are there will still be a person laying in a pine box at the end of the hall after you’ve spoken your mind.

6.
The truth is something you build up a tolerance for. It’s the bitter grounds. It’s the nights spent on bathroom floors begging the door stay shut. It’s the crawl to the couch before letting yourself pass out. I’m never going to tell you no. Every single time you give yourself this, every single time you want to sneak a peek, go ahead. But don’t play detective, don’t try to piece together cut up batches of parts; different ages; beginnings, endings; yours and not yours, mine and not mine. If they don’t fit you can’t plug the gaps any way you want. If you do, it’ll leave you laying face up staring at the ceiling when all you want to do is sleep.

7.
My family is heading to my Uncle Charlie’s to visit and to celebrate Independence Day. When we get there I am the first through the door and my victory over my siblings in a race up the stairs is cut short by the sight of his shoes twisting slowly clockwise, pausing, and retracing their own movements in the air. A stampede halts. My mother screams and reaches for my father. My sister is crying on the floor. My nine year old brother is held outside while I am told to take my sister into the hall with him. Someone calls the police. The metal chair I am seated in sits unevenly and clicks against the floor when I shift my weight. The noise cuts through the booms and pops of fireworks sounding outside the station. When I am asked to recount the events I start by telling the police that I thought his room smelled like bad onions. The cop has a pudgy face and a mustache. I start to tell him more, but he cuts me off by asking me to keep the details relevant. Then he says to start at the beginning.



Tags: Fiction

February 01, 2010, 9:39pm

Video

I won’t stop making fun of these machines yet - it’s too easy - but this is an excellent point that most of the shit talkers (excluding, but still including, programmers looking to work for Blizzard Entertainment*) aren’t considering whatsoever. The one big thing I’ve been holding out on, re: writing, was dipping my toes into the journalism pool because I’ve been curious to see where it’s headed. I’ve tried predicting career value/longevity before but I haven’t been alive long enough to do it very well.

In response to your waste query though: It’ll proably ebb and flow. Initially it’ll seem like more because of production and demand. Down the line they might still be selling strong (upgrades people, upgrades) but a noticeable paper waste decrease will happen around the one year mark if I had to guess.



_________

*The kinds of people who subscribe to the Macs Are For Dummies mentality. “Excluding” because this machine’s usefulness is not the kind of thought that would ever occur to them. “Including” for the same reason minus underlying factors, a là RSS Feeds and Google Reader. Things they’re already using for the same ends a “New Media” reader would grasp at.

breathethroughyreyes:

As much as people want to make fun of the iPad for being poorly named, cheaper and cheaper versions are going to change the way we read, and hopefully will lead to the rebirth of my profession. My only skepticism: is this going to create more waste or less? It won’t use paper but it undoubtedly will increase the amount of waste materials used when creating electronics. Also, how are we going to power these things?

dominickbrady:

This is for those of you that forgot the possibilities.  The iPad is, essentially, a new media reader.  That’s what it is.  And when people see how magazines are going to flock to them with their new apps and new content as well as forward thinking companies with lots of content like Vice Magazine, Pitchfork, Flypmedia, Media Storm, PBS, NPR…when they begin to create DYNAMIC and BEAUTIFUL apps like the one showcased above for Sports Illustrated on something that looks DANGEROUSLY CLOSE TO THE iPad (GEE, I wonder how that happened…waaaay back in December/November?), It will simply change how we interact with media as we know it.  It’s not the same as holding a magazine in your hand.  It’s not the same as viewing video or audio slides, or photo documentaries, short docs, or reading copy on your laptop.  It’s more like the AMC TV app on your iPhone, but richer.

Think.



Reblogged from breathe through yr eyes.

January 28, 2010, 10:42pm

Salinger, #2

Text

hardcorefornerds:agrammar:

One of the chief embarrassments of Salinger fans is that he’s best known via The Catcher in the Rye. Most of them would probably point readers elsewhere — say, Raise High the Roofbeams, Carpenters, or bits of Nine Stories like “The Laughing Man.” I provide those links for anyone who’s hearing a lot about Salinger today but hasn’t spent much time with him: “The Laughing Man” in particular is brief, accessible, good.

But of course there’s no fighting history — best known for The Catcher in the Rye. More specifically, The Catcher in the Rye as experienced in high-school English classes, where it’s assumed that surly kids who don’t want to read anything in the first place will find something about Holden Caulfield to relate to.

Last summer, the NYT ran a piece about that question, in which various educators relayed that students these days don’t much like Caulfield: “Shut up and take your Prozac,” goes one reaction. As far as the modern experience of being young goes, Holden’s relevance may have passed.

That article just made me think about the other things in Salinger’s catalog that seem relevant, somehow, to youth. And you know what the most striking of them is? There are all these moments, in Roofbeams, in Seymour, in Franny and Zooey, where Salinger and his characters seem to wrestle uncomfortably with the idea of counterculture. I don’t mean this in an abstract way: I mean explicitly wrestling with social trends, on the level of deciding whether you really want to be a punk or not. There’s this resentment of the prevailing culture, but also this skepticism of counter-culture — of beatniks specifically, even! And I recall this leaping right out at me, not in my teens but maybe around age 20: that here I was reading something from decades ago, speaking so directly about how we think of affiliating ourselves with social trends, how we feel when no “side” really appeals. Holden’s brand of alienation may have dated, but the feeling suffusing this other stuff seems only to have become more relevant.



Reblogged from Hardcore for Nerds.

January 28, 2010, 10:00pm

OMGSD

Text

epistolized:

The New Yorker makes available all 13 stories in digital format.



Reblogged from epistolized.

January 28, 2010, 8:49pm

Audio

[Flash 9 is required to listen to audio.]

Whatever it is, don’t say it.
I don’t want to hear it anymore.
But if I could say just two things in truth,
The first would be about love,
The second, my desire to crucify you.

Summer People - Two Truths
Good Problems

So in another chapter from a book entitled An Unfortunate Study in Forgetfulness, my continuing efforts to prove that my brain doesn’t always function properly provide some convincing results.

Exhibit A (above): Three fourths of upstate New York’s Fire When Ready band together with several (hundred) other friends to form Summer People. Self described as a “forty-piece minimalist band out of new york” this band* successfully bounces between poppy hooks, ambient-postrock noodling, and noise-barrier like moments on an expedition which runs just six minutes short of an hour, and is entitled Good Problems. This album moves with such precision that I wouldn’t believe this music could be performed live if I hadn’t seen it myself twice already. It’s unreal.

The reason this album is a big deal, and the reason I talk to you about how unreliable my brain is, is this: This should have been on my Top Albums list. It is on my top albums list. It should have been in that post from a couple of days ago. Somewhere around Number Two or Three, if all were right with the world. Regrettably (and who knows how these things happen, really) the mind slips sometimes, and this amazing body of work was almost casualty due to one such slip.

Better Late Than Never seems to be the only deadline I can make these days. C’est la vie!






________
* After releasing a six song demo, then revoking it’s internet presence, and re-releasing three of those songs on ifyoumakeit.com.



Played 15 time(s).

January 14, 2010, 10:21pm

Photograph

mikefenton:

America’s Joyous Future @ the MCA (via symphonyno2inem:thunderbeast:)

The best advice my Music Business teacher ever gave me was conveyed via a digression about a drunken night with(out) friends. Apparently this was an outing where he’d decided - I use the word loosely - it would be a good idea to get a little too drunk, and everyone he’d come with decided - again, loosely - it would be a good idea to leave without telling him.
Upon realizing he was alone, having no remaining funds to call a cab, and not knowing where any ATM’s were locally he decided it’d be a good idea to try walking home. (It’s important to note here that he was at least an hour’s drive away from his house. He might have also said this was during the winter, but don’t quote me on that.) So he’s walking down this street when he passes a church. Suddenly the idea hits him to look inside and see if anyone there could give him a ride home. He pokes his head in the door and what does he find? (Hint: Monday)
Now, any normal person would have just taken a seat quietly and waited around until people decided to leave before asking for a ride. This would have been a polite, sensible thing to do.
Thank God that’s not how this man operates.
He stumbles through the door as grandly as possible and starts sobbing, confessing to the entire room how sorry he is about being in the state he’s in. “I thought I was OK. I thought I could just have one and be OK!”
Needless to say everyone in the room was extremely sympathetic and supportive. They offered him free coffee, bagels, a chance to talk, literature, the whole nine yards. After the meeting was over he got a ride home and passed out on his couch.
He finished the story and then asked the class what they thought the important part of that digression was. Kids tossed around jokes about free bagels and not going out with people in the music business.
“Nope. Nope. Nope.” He said. “The lesson is this: Learn to recognize an opportunity.”

mikefenton:

America’s Joyous Future @ the MCA (via symphonyno2inem:thunderbeast:)

The best advice my Music Business teacher ever gave me was conveyed via a digression about a drunken night with(out) friends. Apparently this was an outing where he’d decided - I use the word loosely - it would be a good idea to get a little too drunk, and everyone he’d come with decided - again, loosely - it would be a good idea to leave without telling him.

Upon realizing he was alone, having no remaining funds to call a cab, and not knowing where any ATM’s were locally he decided it’d be a good idea to try walking home. (It’s important to note here that he was at least an hour’s drive away from his house. He might have also said this was during the winter, but don’t quote me on that.) So he’s walking down this street when he passes a church. Suddenly the idea hits him to look inside and see if anyone there could give him a ride home. He pokes his head in the door and what does he find? (Hint: Monday)

Now, any normal person would have just taken a seat quietly and waited around until people decided to leave before asking for a ride. This would have been a polite, sensible thing to do.

Thank God that’s not how this man operates.

He stumbles through the door as grandly as possible and starts sobbing, confessing to the entire room how sorry he is about being in the state he’s in. “I thought I was OK. I thought I could just have one and be OK!

Needless to say everyone in the room was extremely sympathetic and supportive. They offered him free coffee, bagels, a chance to talk, literature, the whole nine yards. After the meeting was over he got a ride home and passed out on his couch.

He finished the story and then asked the class what they thought the important part of that digression was. Kids tossed around jokes about free bagels and not going out with people in the music business.

“Nope. Nope. Nope.” He said. “The lesson is this: Learn to recognize an opportunity.”



Reblogged from mike.fenton.
Tags: Fiction

January 13, 2010, 8:57pm

Wasn't I supposed to do this a month ago?

Text

My top albums of 2009

01. Another Breath - The God Complex
I don’t even feel qualified to describe how good this album is. In early 2008, Another Breath started documenting their songwriting processes and touring shenanigans. Updates were infrequent, but when they appeared I was always excited to read whatever new info was available. It felt like I got to watch this album germinate from something that was probably just “a cool idea” to a few songs that strung together well, and so on. Drums on this album were recorded at one studio, guitars at another, vocals at a third. Once all the parts were in place… nothing. Rivalry records - who’d put out AB’s two other records - folded up, and the search for a new label took longer than I’d ever have expected (especially considering the finished product.) After waiting for over a year, Panic Records would finally realize how great this thing is and release it.
Listen to Another Breath on Last.FM

02. Make Do and Mend - Bodies of Water
My first time being exposed to this band my friend Barrie had played one of their songs on her radio show. After hearing them once I was in love. There was so much here that I was into, it was hard to find a starting place. I found out what song she’d played (Winter Wasteland) and sought out this release. After listening to these six songs for so long that they were ingrained into my skull, I checked out their previous EP. The easiest way to describe BoW is this: Whatever it is that needs to ‘click’ for a band to fit properly into a niche, clicked with these boys on this record. The results are excellent.
Listen to Make Do and Mend on Last.FM

03. Thrice - Beggars
The weirdest thing, to me, about this band is that people who complain that this band abandoned a sound they had ten years ago. They’re not metal, they’re not hardcore, they’re not emo, they’re not seventeen anymore. Get over it. Beggars is track-for-track one of the best albums I’ve had the pleasure of listening to this year. These songs are stripped of the effects and distortion found on any of their earlier material, and the result is an album that feels simple, organic, and earnest.
Listen to Thrice on Last.FM

04. Banner Pilot - Collapser
After hearing and forgetting about the ‘Pilot in 2007, 2009 was a good year to recognize this name. Collapser is 11 songs of the most fun to listen to bummed-out/nostalgic punk rock I’ve gotten my hands on in a while. “Alone, I’m going home to an empty room, to have on Orchard road. Absurd fucking world. Feel like dropping dead, but I laugh instead. Dumb guy, smart girl.” This is a huge leap forward from Resignation Day (which I grabbed while one a BP binge, gobbling up everything they’d released between Pass the Poison and now) and an album definitely worth your time.
Listen to Banner Pilot on Myspace.

05. Dear Landlord - Dream Homes
One of the best things going on in punk rock right now. Would have been posted higher than Collapser (which I would egarly describe as ‘a more tender Dream Homes’) but it’s only a first effort. I’m anxious to see where this band goes from here.
Listen to Dear Landlord on Last.FM

06. My Heart to Joy - Seasons in Verse
An album I enjoy every time I listen to it, but only listen to once every few weeks. I have a bad habit of forgetting it exists - mostly due to constantly checking out other new music - but every time I put it on the whole thing feels so right. “Time Spent Breathing” is a beautiful way to start a record, and their cover of Guided by Voices’ “Goldheart Mountaintop Queen Directory” is totally on point. As an added bonus, this album gets points for sporting some of the nicest cover art on this list.
Listen to My Heart to Joy on Last.FM

07. Irreversible - Light
This is a gigantic follow up to an equally gigantic debut. A dense volume which moves in massive, thundering arcs that ebb and flow between eerie and heavy - sometimes reaching into both territories at once - for a solid hour. An amazing sophomore release. Not to mention it’s currently free.
Listen to Irreversible on Last.FM
Listen to Irreversible on Myspace and download ‘Light’ for free.

08. Defeater - Lost Ground
For every reason I’ve got to think this band’s material is great, I’ve got a parallel opinion about some other aspect of their music. Lost Ground is a nice swing piece for me. The musicianship steps up significantly from their previous effort Travels, and on the whole the band feels tighter - which says a lot considering how impressive Travels was. The thing that trips me up is the lyrics. Defeater has a thing for thematic volumes; so while sometimes they get what they’re going for, there’s plenty of moments where the stories in the songs come off as little more than cheesy. Still, at least they’re going for something consistent instead of trying to stay ahead of some hip-curve. I give them a lot of credit for that.
Listen to Defeater on Last.FM

09. A Wilhelm Scream - Self-Titled EP
I read somewhere that this band’s only rule was that they would not put out a release unless they believed it was better than their previous one.
Listen to A Wilhelm Scream on Last.FM

10. Castevet - Summer Fences
Imagine American Football having whatever it would take to sign to No Idea records. That’s this band. That should be all it takes to sell you here. I don’t think there’s much else to say.

No. That’s not fair, at all. This band does wonderful things with instruments. They’ve no affiliation with NIR or AF, and as their own identity they outperform most of the new acts that I’ve given playtime to this year. I’m not trying to get down on up and coming talent, but these boys get something that plenty of other bands ‘doing their own thing’ have yet to grasp. My only complaint about this record is that I wish it were longer. These 8 songs leave me wanting much, much more - quantitatively, not qualitatively.
Listen to Castevet on Last.FM

11. Lemuria - Ozzy 7”
This was released on Hex Records (what? yeah.) and even though it’s two songs, this is easily their best material. I’ve listened to both of these songs enough times to annoy everyone in my house.
Listen to Lemuria on Last.FM



January 12, 2010, 10:48pm

Quote
“[W]e as a society are taught politically and religiously that the Apocalypse is coming, it’s on its way. But what I’m saying with my show is, ‘We’re there right now: this is the Apocalypse.’ The fact that we’re surrounded by cement and we’ve already killed everything means the Apocalypse has happened.”

Lady Gaga, London Times, Dec 6, 2009 (thanks Arthur Magazine) (via backtobataan)

And people wonder why I am in love with her???

(via lylynn)

(via breathethroughyreyes)

Keeping in mind the apparent shock-value asymptote she’s trying to plot her career out on*, this is either the exact mentality I’d expect her to have or it’s something I wouldn’t expect her to consider at all. Having been on fence about whether she was really worth paying attention to or not - specifically after reading this - it’s almost a relief to hear (see?) Gaga give some justification for her antics, instead of just trying to live up to that self imposed title as a “free bitch” and letting postmodernists provide all the answers for her.





__________________
*A feat I’m not really convinced she’s achieving. Smoking? ED-GY!



Reblogged from breathe through yr eyes.

January 09, 2010, 1:38pm

I HAD A DREAM THAT WHEN I WAS IN HIGH SCHOOL THAT I ATTENDED THE PUNK ROCK ACADEMY

Text

(via showerbeers)



Reblogged from The Unbearable Lightness of Being (Wrong).

January 09, 2010, 12:46pm

Photograph

2009 / Melville House Publishing / $13
Transcribing complex events (specifically but not limited to, boring events) simply is never an easy task for me. There’s always a want that creeps up telling me to explain - and make the reader really understand - just how bland and flat things are/were/have been/can be with layers and layers of words. Words which more often than not exemplify an occurrence rather than downplay it, or even portray it accurately. Leaving out reasons and explanations is something I can never really bring myself to do and when it’s done right it always throws me off. I don’t admire everyone who can do it, but I do admire Tao Lin for it.
In 2009 Melville House Publishing distributed a novella titled Shoplifting from American Apparel written by Tao Lin . Sometime before 2009, Tao Lin was arrested twice. Once was for stealing a pair of headphones.
Since June 2009, Shoplifting… has been compared to a(ny) Brett Easton Ellis novel more times than I can count for the appearance of brand names, basic sentences (often - regarding length - Shoplifting : Longer novels :: ‘sentences in Shoplifting’ : ‘Sentences in longer novels’) and unexplained motions enacted by detached characters. It’s been called boring, stunted, plain, annoying, and dry for (most of) the same reasons. Occasionally, both of these opinions have been expressed in a single review.
The story follows two years in the life of Sam, an up-and-coming ‘blognik’* who is a semi-popular writer with “good rankings on Amazon” and a job at a organic vegan restaurant. With plot occurances following an autobiographical trend, the action moves precisely as you’d think it would: it’s practically dead. When it’s not dead, it’s unimportant. Sam goes about his days, and more often his nights, touching and examining things, drinking smoothies, wasting time on the internet, working, and idly contemplating suicide - never seriously though(?).
“I feel tired of life,” he said out loud. “I don’t feel like working anymore.”“What was that?” said Ben.“What,” said Sam.“What did you say, you’re tired?” said Ben.“I’m tired of life. I don’t want to do any more work. But I still want to be paid.”Ben laughed with a serious facial expression. “Just don’t slit your wrists on the cutting board,” he said. “It’ll stain the wood.”“I would go downstairs to commit suicide,” said Sam. “I’d hang myself in the bathroom. Josè-Manuel will find me.”“Good,” said Ben. “Maybe he’ll finally learn to knock.”“Really?” said Sam. “He doesn’t knock?”“No, he does,” said Ben. “I’m joking.”“Oh,” said Sam.
And so the novella runs it’s 102 page course; Sam always touching, always bored. Eventually it gets to what most people will think is the main point of the book. Shoplifting. It happens twice and it’s the focus of this book the same way a skier’s focus on a mountain is the peak.** After both instances Sam spends a night in jail with a strange cast of minor- to major- co-offenders and gets sentenced to one day of community service. The question that kept tugging at me through the portions of the book dealing with Shoplifting was this though: Was the portrayed boredom associated with EVERYTHING in the book synonymous with Lin’s real-life decision to Shoplift? (I ask only of these because people do things like this for ‘thrills’. There are plenty of things that happen in the book which are actually boring.) Was it really necessary to do something like this to derive some activity to pass the time in 2008? I understand as well as anyone how boredom can occasionally manifest as depression (re: ‘tired of life’). I also understand that this is, in part, a work of fiction. And so, in part, this curiosity of mine stems from the lack-of-explanation vs. horror-vaccui writing conflict I began this review speaking about.
Despite all of my skepticism, and despite the fact that it’s first and foremost a book about boredom, this book is funny.*** Especially if you’ve ever found yourself in the positions Sam/Lin have gotten themselves into, which is what ultimately made me decide that the author was being honest with this work. It’s got a hint of dark surrealism attached to every brand-name product that shows up within it’s pages.
Miles Klee had cast a vote for the novel’s best moment, and I’m inclined to agree with him - he also makes an excellent point regarding the ‘Ellis’ comparison’s I mentioned earlier. To be perfectly honest, it’d be easy to argue that Klee does a far better job reviewing this book than I do here so if I were any of you readers I’d jump this ship now and hope the S.S. ‘Notes has some spare life vests.__________*A term coined in jest/disgust by a friend of Sam’s on Gmail Chat, re: “beatniks” and modern writers with internet connections.** It’s not.*** Another thing I’ve got some difficulty grasping for myself as a writer.

2009 / Melville House Publishing / $13

Transcribing complex events (specifically but not limited to, boring events) simply is never an easy task for me. There’s always a want that creeps up telling me to explain - and make the reader really understand - just how bland and flat things are/were/have been/can be with layers and layers of words. Words which more often than not exemplify an occurrence rather than downplay it, or even portray it accurately. Leaving out reasons and explanations is something I can never really bring myself to do and when it’s done right it always throws me off. I don’t admire everyone who can do it, but I do admire Tao Lin for it.

In 2009 Melville House Publishing distributed a novella titled Shoplifting from American Apparel written by Tao Lin . Sometime before 2009, Tao Lin was arrested twice. Once was for stealing a pair of headphones.

Since June 2009, Shoplifting… has been compared to a(ny) Brett Easton Ellis novel more times than I can count for the appearance of brand names, basic sentences (often - regarding length - Shoplifting : Longer novels :: ‘sentences in Shoplifting’ : ‘Sentences in longer novels’) and unexplained motions enacted by detached characters. It’s been called boring, stunted, plain, annoying, and dry for (most of) the same reasons. Occasionally, both of these opinions have been expressed in a single review.

The story follows two years in the life of Sam, an up-and-coming ‘blognik’* who is a semi-popular writer with “good rankings on Amazon” and a job at a organic vegan restaurant. With plot occurances following an autobiographical trend, the action moves precisely as you’d think it would: it’s practically dead. When it’s not dead, it’s unimportant. Sam goes about his days, and more often his nights, touching and examining things, drinking smoothies, wasting time on the internet, working, and idly contemplating suicide - never seriously though(?).

“I feel tired of life,” he said out loud. “I don’t feel like working anymore.”
“What was that?” said Ben.
“What,” said Sam.
“What did you say, you’re tired?” said Ben.
“I’m tired of life. I don’t want to do any more work. But I still want to be paid.”
Ben laughed with a serious facial expression. “Just don’t slit your wrists on the cutting board,” he said. “It’ll stain the wood.”
“I would go downstairs to commit suicide,” said Sam. “I’d hang myself in the bathroom. Josè-Manuel will find me.”
“Good,” said Ben. “Maybe he’ll finally learn to knock.”
“Really?” said Sam. “He doesn’t knock?”
“No, he does,” said Ben. “I’m joking.”
“Oh,” said Sam.

And so the novella runs it’s 102 page course; Sam always touching, always bored. Eventually it gets to what most people will think is the main point of the book. Shoplifting. It happens twice and it’s the focus of this book the same way a skier’s focus on a mountain is the peak.** After both instances Sam spends a night in jail with a strange cast of minor- to major- co-offenders and gets sentenced to one day of community service. The question that kept tugging at me through the portions of the book dealing with Shoplifting was this though: Was the portrayed boredom associated with EVERYTHING in the book synonymous with Lin’s real-life decision to Shoplift? (I ask only of these because people do things like this for ‘thrills’. There are plenty of things that happen in the book which are actually boring.) Was it really necessary to do something like this to derive some activity to pass the time in 2008? I understand as well as anyone how boredom can occasionally manifest as depression (re: ‘tired of life’). I also understand that this is, in part, a work of fiction. And so, in part, this curiosity of mine stems from the lack-of-explanation vs. horror-vaccui writing conflict I began this review speaking about.

Despite all of my skepticism, and despite the fact that it’s first and foremost a book about boredom, this book is funny.*** Especially if you’ve ever found yourself in the positions Sam/Lin have gotten themselves into, which is what ultimately made me decide that the author was being honest with this work. It’s got a hint of dark surrealism attached to every brand-name product that shows up within it’s pages.

Miles Klee had cast a vote for the novel’s best moment, and I’m inclined to agree with him - he also makes an excellent point regarding the ‘Ellis’ comparison’s I mentioned earlier. To be perfectly honest, it’d be easy to argue that Klee does a far better job reviewing this book than I do here so if I were any of you readers I’d jump this ship now and hope the S.S. ‘Notes has some spare life vests.
__________
*A term coined in jest/disgust by a friend of Sam’s on Gmail Chat, re: “beatniks” and modern writers with internet connections.
** It’s not.
*** Another thing I’ve got some difficulty grasping for myself as a writer.



December 30, 2009, 11:11pm